
Anthropology
William & Mary, 2024-
Anthropology 150, The Indigenous Chesapeake
Anthropology 205, Anthropology and Language
Anthropology 250, Introduction to Native Studies
Anthropology 323, Indians of North America
Anthropology 341, Ethnographic Fieldwork: Eastern Band of Cherokee Indians
Anthropology 427/527, Natives of Eastern North America
Anthropology 470, Native American Sovereignty
Anthropology 606, Documentary Anthropology




American University, 2017-23
Anthropology 110, Culture and the Human Experience
Anthropology 210, Race and Racism
Anthropology 225, Language and the Human Experience
Anthropology 235, The Buried History of the U.S.
Anthropology 350, The Indigenous Chesapeake
Anthropology 350, Native Peoples of the Great Plains
Anthropology 439, Native Peoples of North America
Anthropology 440, Contemporary Ethnographies
Anthropology 544, Engaging Native America
Anthropology 601, The Craft of Anthropology
Anthropology 635, Race, Gender, Social Justice
Anthropology 639, Culture, History, Power and Place
Anthropology 897, Dissertation Preparation Workshop






Graduate & undergraduate student presentations (bottom), museum & site visits, and classroom instruction (top right & left).
William & Mary, 2015-17
Anthropology 202, Introduction to Cultural Anthropology
Anthropology 302, Ethnographic Research
Anthropology 323, Indians of North America
Anthropology 350, Stand with Standing Rock: Sovereignty and Native Communities of the Great Plains

Virginia Commonwealth University, 2007-16
Anthropology 103, Introduction to Anthropology (Four Field)
Anthropology 315, Anthropological Field Methods and Research Design
Anthropology 391, Native Peoples of the Eastern Woodlands
Anthropology 391, The Indigenous Chesapeake
Anthropology 391, Native Peoples of the Great Plains
Anthropology 399, Junior Seminar



Virginia K-12 Art Education, 2000-05
Art Foundations
Ceramics
Photography & Graphic Design
Art I, II, III




Kuna woman, oil bar on paper (left); bracelet, 14k gold, .925 silver, carnelian (middle left); Corn mother with ancestor kernels, reduction-fired ceramic (middle right); Junkatapurse “horse’s head” incensario, soapstone (right)